Hot Final Cut How-Tos — Page 8 of 9 « Final Cut

How To: Create a realistic page turn in Final Cut Pro

This tutorial will give you some pointers on how to achieve a more realistic page turn in Final Cut Pro. Stephen Smith examines the classic tale of how a page peel can be transformed into a realistic player in the video effects world. With a little extra work, your results can go from fake to fabulous in no time. You'll also see how to create custom blue prints in Live Type. Create a realistic page turn in Final Cut Pro.

How To: Create custom settings in Compressor

Final Cut Studio's Compressor has many pre-existing settings that allow you to start compressing your project immediately. Stephen Smith will show you how to: create custom settings, create custom settings from scratch, create groups of settings and how to delete settings. Create custom settings in Compressor.

How To: Use Qmaster distributed processing in Compressor

This tutorial shows you how to get all your processors to work in Compressor by using Apple Qmaster distributed processing to improve rendering times. Use Qmaster distributed processing in Compressor.

How To: Deinterlace with Compressor

This tutorials covers how to use Compressor to improve the deinterlacing process and further effects work like tracking in Motion. Deinterlace with Compressor.

How To: Create customized Motion templates

If you thought the pre-built templates that came with Motion were cool, how about building your own? This video tutorial by CreativeCow.net Contributing Editor Stephen Smith will show you what you need to know to create your own custom Motion templates - really great for making lower thirds. Create customized Motion templates.

How To: Create that 'bad TV' look with Final Cut Pro

Creating that 'bad TV' look has never been easier with Final Cut Pro. Stephen Smith will show you how to create this spectacular effect using tools already provided by FCP. Learn how to make your video transition in from noise, animate a TV roll, and duplicate the "turning off the TV" look. Create that 'bad TV' look with Final Cut Pro.

How To: Import Panasonic P2 footage into Final Cut Pro 6

P2 workflows are among the hottest topics, and with extensive experience with P2 in broadcast editing, leader Shane Ross is one of the industry experts in the new features to support P2 in Final Cut Pro 6. In this video tutorial, Shane covers new techniques for bringing in captured footage, and as always, tips for project organization and media management for the best results with the least effort. Import Panasonic P2 footage into Final Cut Pro 6.

How To: Create a TV screen look in Final Cut Pro

In this three part tutorial, Ben Scott shows you how to create a TV screen look, with effects, motion properties and key framing. Part two goes over adding motion paths, window layouts and the Quickview tool. Part three covers more on keyframes with opacity and noise. The final effect isn't that great looking but the techniques and processes you'll learn are well worth it. Create a TV screen look in Final Cut Pro - Part 1 of 3.

How To: Export video to the web with Final Cut Pro

Once you have your finished video, how do you best export it for the web? Israel Hyman has experimented with many settings, and this is the one he likes the best (using Final Cut Pro). What you’ll see in this tutorial, is just one way.

How To: Create Matrix-like effects using Final Cut Pro

Are you still amazed by the special effects used in the movie Matrix? Now you can add similar effects to your video! Watch and see how to use some creative editing in Final Cut Pro to get it done.

How To: Add dissolves & transitions using Final Cut Pro

Once you've arranged your clips on the Final Cut Pro timeline you may want to add transitions between them. Adding dissolves and other effects to clips helps to create a smooth transition in your videos. They can also be fun and creative.

How To: Edit multicam footage with Final Cut Pro

Matt, the Shirtless Apprentice, follows up his last segment on syncing timecode for a multi-camera shoot with a quick explanation on how to utilize this technique in the edit. Learn how quick and easy multi-camera editing can be when using the multicam function in Final Cut Pro.

How To: Import files into DVD Studio Pro

In this video tutorial we will take a look at how to import files into DVD Studio Pro. Do note that it is recommended to render your movies into a compatible format before importing to DVD Studio Pro. The author suggests to use Compressor to do the job.

How To: Add a button to a track in DVD Studio Pro

In this video tutorial you will learn to add a button to a track in DVD Studio Pro. You can use it to enable the users to choose to view a trailer or sneak preview of your upcoming project before sending them back to the main menu.

How To: Add menus to your movie DVD using DVD Studio Pro

As the author says, a DVD is not a DVD without interactivity. You could easily enable interactivity by using menus in your DVD. In this video tutorial you will learn to add menus to your movie DVD using DVD Studio Pro.

How To: Add a button to your DVD menu using DVD Studio Pro

A revolutionary feature in DVDs is their ability to include interactivity. In this video tutorial you will add a button to your DVD menu using DVD Studio Pro. The button will take the users to a new menu.

How To: Adjust pitch and transform a voice in Soundtrack Pro

If you are doing podcasting, very often you might have to use your own voice. The good news is that there are ways to touch up your voice even if you don't like it. In this video tutorial Adam Hay will show you how to adjust pitch and transform your voice into a much different sounding one using the stock effects in Apple Soundtrack Pro. Adjust pitch and transform a voice in Soundtrack Pro.

How To: Use the snapping tool in Final Cut Pro

The snapping function (the magnetic attraction between two clips or to the playhead) is sometimes very helpful and other times really annoying in Final Cut Pro. In this video you will learn to turn it on and off. A cool trick is to use the keyboard hot key to quickly turn the feature on and off.

How To: Create dissolves with Final Cut Pro

In this video tutorial you will learn to create dissolves in Final Cut Pro. There are many different ways to dissolve between one clip to the next. These transitions are recommended by Dvplace.

How To: Suppress background noise in Soundtrack Pro

It's important to project a professional image to your Podcast subscribers. Background noise is not only distracting, but it will make your Podcast seem amateurish. Check out this great feature in Soundtrack Pro that allows you to remove or suppress background noise from your audio recordings. Suppress background noise in Soundtrack Pro.

How To: Create titles in Final Cut Pro

In part one of this Final Cut Pro tutorial, Ben Scott shows you how to use the text generator and how to make broadcast safe titles that don't flicker. Part two goes over taking your titles out of Final Cut Pro, using Apple's Motion software to create nicer text for your titles, then bring them back to Final Cut Pro. Create titles in Final Cut Pro - Part 1 of 2.

How To: Add motion templates to create lower thirds in FCP

If you have ever seen the motion graphics stream across the screen on your favorite TV show, news cast or game show, and dreamed of having that on your own videos, your prayers have been answered. Final Cut Pro, part of Final Cut Studio 2, lets you add some extremely cool and highly customizable Motion templates to your footage to add some pizzazz. David Basulto shows you how to create lower thirds in this tutorial.

How To: Repair audio in Apple Soundtrack Pro

Larry Jordan demonstrates the basics of audio repair using Apple's Final Cut Pro including raising soft recordings without distortion. This is a great tutorial for beginners. Repair audio in Apple Soundtrack Pro.

How To: Choose external drive options for Final Cut Pro

Larry Jordan explains the advantages and trade-offs of various external drive solutions, compares data rates or FireWire drives vs. SATA drives, what solutions work the best and how to avoid clogging your Final Cut Pro workflow.

How To: Compress video for DVD in Final Cut Pro

In this tutorial, Larry Jordan demonstrates how to get optimal quality when compressing video for DVD in Apple Final Cut Pro. Scroll down and click the "watch video" link to start the movie. Compress video for DVD in Final Cut Pro.

How To: Create chapter markers for QuickTimes in Final Cut Pro

Whether you are creating a podcast or QuickTime for the Web or CD-ROM, this tutorial shows how to add chapter markers (using Final Cut Pro) so the viewer can jump ahead to the information they need. Create chapter markers for QuickTimes in Final Cut Pro.

How To: Create a glass pane look in Final Cut Pro

There's nothing like glass panes moving randomly on a screen. Learn to create the stunning bars like the ones in the show open to CSI: Miami. Follow along with Stephen Smith, the Final Cut sleuth, to learn how easy this effect really is. Create a glass pane look in Final Cut Pro.

How To: Build a vignette in the ColorFX room in Color

Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Final Cut Studio's Color's node-based compositing to create a vignette in the ColorFX room. Build a vignette in the ColorFX room in Color.

How To: Match frame in Final Cut Pro

In this tutorial, Ben Scott shows you how to use the match frame and track auto select tools to go back to your original footage. Match frame in Final Cut Pro.

How To: Clean sound in Soundtrack Pro

In this tutorial, Ben Scott show you how to clean up your audio by using the Noise Print tool from Soundtrack Pro. Clean sound in Soundtrack Pro.

How To: Layer sound and visuals in Final Cut Pro

In this tutorial, Ben Scott shows you how to layer sound and visuals, choosing which to bring in and which not to. This is also called targeting tracks. Layer sound and visuals in Final Cut Pro.

How To: Use the morph node in Shake

Creative Cow Contributor Michael Mench demonstrates a brief overview of the Morph Node in Shake. You can even take your morph effect and import it into Final Cut Pro. The explanation and step-by-step is great but the text on the interface is hard to see. Use the morph node in Shake.

How To: Use the Smooth Cam Node in Shake

In this video tutorial, Creative Cow Contributor Michael Mench begins a series called "Shake is Money" in which he will discuss how Final Cut Pro editors can quickly learn how to integrate Shake into their workflow for added flexibilty in the studio. In this first video in the series, Michael demonstrates how to use the 'Smooth Cam Node' in Shake. Use the Smooth Cam Node in Shake.